Mahmud Kianush’s Writings

Mahmud Kianush signing
Kianush signing his book “From Keykaus to Keykhosrow“, 1992

Mahmud Kianush’s literary legacy boasts over one hundred and twenty books, including poetry, short stories, novels, plays, and literary criticism, demonstrating his broad intellectual engagement and ability to adapt his voice to different literary forms and purposes.

As often expressed by Kianush himself, his ability to write in so many different styles and genres, is the result of his spontaneous inspiration and adaptability to different forms. Whenever an idea comes to his mind, he does not concern himself with his identity as a poet, novelist, or essayist; instead, he finds the appropriate form and writes it. For him, the process of writing is driven by the need to express a thought or feeling in the most suitable format, whether it’s a story, poem, or article. The diversity in his work is not about seeking fame, but about staying true to the form that best conveys his message at any given time​.

For Kianush, poetry is more than just a form of expression; it is the ancient language of humanity’s earliest days, the language of the ‘historical man’ in his formative years. He envisions a time when the first human beings, just beginning to awaken to their own consciousness, sought to make sense of themselves, their surroundings, and the vast, mysterious universe that enveloped them. It was through poetic interpretation—transforming the tangible and intangible into verse—that they first grasped the essence of existence.

Kianush believes this poetic impulse was not only the foundation of early human understanding, but has remained the true vocation of pure poets throughout history. They have always sought to capture and convey the profound and often ineffable aspects of life through the lens of poetry.

When reflecting on modern poetry, Kianush acknowledges the ancient concept that “man is a political animal,” recognising the inescapable link between humanity and the social and political spheres. Yet, he passionately argues that, before anything else, man must stay connected to his primordial roots. He must first and foremost be a poet—one who channels that original, creative force that once helped humanity make sense of the world. In doing so, Kianush suggests, poetry serves as a timeless bridge between the primitive origins of human thought and the complexities of the modern world.

Kianush’s poetry is a masterfully crafted tapestry, intertwining themes of love, loss, and the complexities of the human condition, all deeply embedded in the rich cultural heritage of Iran. His verses are celebrated for their lyrical beauty and emotional resonance, evoking a profound sense of nostalgia and a yearning for something both elusive and universal.

Through vivid imagery and poignant expression, Kianush invites readers to a reflective exploration of existence, examining the intricate relationships between personal identity and the broader forces shaping society. His work serves as a powerful reminder of language’s enduring ability to evoke deep emotions and unveil profound insights into the human experience.

Kianush’s novels and short stories often explore themes of self-discovery, human relationships, and the complexities of life. His work reflects a deep engagement with philosophical and existential questions, often set against the backdrop of Iranian society and culture. Kianush was eager to depict the journey of his characters towards self-awareness and simplicity, as seen in works like “Ghavvas va Mahi” (The Diver and the Fish), where the protagonist seeks to return to a simpler, more authentic way of life.

Another recurring theme in Kianush’s work is the concept of enduring friendship, which he portrays with a deep sense of nostalgia and emotional intensity. He often explores the psychological and emotional aspects of these relationships, particularly in the context of how they evolve or deteriorate over time. His style is marked by a philosophical depth, frequently blending realism with symbolic and allegorical elements.

Kianush aimed to make his prose accessible, avoiding overly complex language, and ensuring that his writing resonated with the reader on an emotional and intellectual level.

Pao-Chao,
A novel in Persian,
by Mahmud Kianush, 2018

Pao-Chao” is a satirical and allegorical tale that explores themes of tyranny, societal decay, and the absurdities of oppressive governance. The story is set in the fictional city of “Kura-Chava,” where the ruler, a tyrant named “Chiang-Piang”, imposes increasingly absurd and cruel laws upon the people.

Kianush uses rich imagery and symbolism, particularly in his depiction of the city and its people. The city’s stark divide between the wealthy and the poor, coupled with laws that strip citizens of their humanity, serves as a powerful symbol of broader societal divisions and the dehumanising effects of authoritarian regimes. The recurring motif of the citizens being reduced to their bare essentials, both physically and metaphorically, reflects the stripping away of individuality and freedom. This tale offers a powerful commentary on the dangers of unchecked power and loss of moral integrity in a society dominated by fear and oppression.

Kianush’s literary criticisms were noted for their depth, analytical rigor, and philosophical approach. He brought a keen insight into the works he critiqued, often exploring the underlying themes, structures, and stylistic elements with a focus on how these elements contributed to the overall meaning and impact of the work.

His critiques were not just about the surface-level content of the works, but delved into the intentions of the author, the effectiveness of the narrative techniques, and the philosophical or ideological implications of the text.
He was also known for being fair and balanced in his evaluations, offering praise where it was due, but also providing constructive criticism when he felt a work fell short in some aspects.

His background as a poet, novelist, and translator gave him a comprehensive understanding of the creative process, which he applied in his critical work.

Sadegh Hedayat: A Pioneer of Modern Storytelling in Iran, (in Persian),
by Mahmud Kianush, 2002

This literary criticism offers an in-depth exploration of Sadegh Hedayat’s life, literary contributions, and his profound impact on Iranian literature. The work emphasises Hedayat’s role in modernising Persian fiction, particularly through his acclaimed novel The “Blind Owl” (Buf-e-Kur), which is highlighted as a seminal piece in his oeuvre.

Kianush positions Hedayat as a central figure in Iranian literature whose work continues to influence and inspire generations of writers. His exploration of the human condition, couched in the unique cultural context of Iran, remains relevant, marking him as a timeless literary figure.

Poetry Selection

Click on the title to read the full poem

A Drop Of Dew

A drop of dew
Glimmering
With the colour of its base
In the silvery light of dawn
Can remind us
Of many, many things:
Its appearances depend
On who,
              where,
                          and
In what mood we are.

Politics

Standing up in the sunshine,
I look around the world:
It is all a naked desert,
With not a single green bush
In which a small bird
Can take shelter from
The burning wind of despair,
And sing its loneliness away.

Hide-and-Seek

Every day
A new galaxy is born
In my universe
With fresh eyes of hope
Open to the old deepening darkness,
Where God keeps on hiding Himself;
And every day,
Feeling to be closer to Him,
I smile like a child
Playing hide-and-seek with his father.

Change

Having said goodbye to an old friend,
Whose new face
Set fire to my memories,
And walking through the corridors of late Autumn
I lost the warm, green Summer of my veins
To the dark, naked branches of trees,
And felt cold and barren in my head.

Some of Kianush’s Poetry books

Here you can access a few poems from a selection of Kianush’s Poetry books

Happy Couple with their Child - "Akkaashi" art by Mahmud Kianush
Happy Couple with their Child, © 2024 Mahmud Kianush, Art Arena. All rights reserved

Kianush’s innovative rhythmic approach traversed various poetic forms, and his versatility extended to the realm of children’s poetry, where he spent eight years crafting award-winning books, earning recognition as the founder of children’s poetry in Iran. During that time, he published five books of stories and eight books of poems.

Some of these poems became popular songs. One example is the popular “One Flower, Ten Flowers, Hundreds of Flowers”, which is sung by Iranian children everywhere, specially in Springtime and at the Persian New Year celebration. 

Mahmud Kianush had a prolific career at the Persian section of the BBC World Service, where he served as a producer and freelance creator. He developed a wide array of programs focusing on literature, culture, and sociology, and even crafted bilingual English teaching shows.

He developed fourteen, twenty-minute programs titled “A Thousand Years of Ghazal”, showcasing his versatility and depth in cultural programming.

Kianush also created seventy episodes of در حکایت و شکایت زبان فارسی (“On the Stories and Complaints of the Persian Language”), which is an in-depth exploration and reflection on the Persian language, discussing its historical development, richness, and the challenges it faces.

Additionally, he produced satirical content under various pseudonyms, such as Ustad Moslehuddin Zoshki for the “Oral Magazine” program.

The first book (in Persian) from Alizadeh Tussi’s Letters from London can be accessed here.

Alizadeh Tussi's first book of Letters from London
O, Pigeon of the East,
Be the Carrier of Good News!
Letters from London By Alizadeh Tussi
Volume One – 2006-2007

Kianush’s Books

Some of his books can be downloaded for free from the on-line Ketab e Sabz Persian book store.

Other on-line bookstores where visitors can purchase Mahmud Kianush’s works include:

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